Hi guys! Sorry I missed my blogmas post yesterday—finals week is super hectic! But I’m back today with another writing-related post for both fiction and nonfiction writers and authors: here’s what your editor does not want to see.
Hey guys! It is officially finals week at my university and I am so pumped for this semester to finally be over. Despite the fact that the last four months have been super boring thanks to useless classes that barely challenged me, I did get something good out of this semester: my teachers recommended some pretty great books to me, and I’m excited to share them all in several mini-reviews!
Throughout my experience as a pretty successful freelance writer and blogger, I’ve gotten a ton of questions from you guys asking what I do and how I got here, and since I’ve been doing it for a year now, I figured I have some credentials to finally answer them.
This year seems to have gone by so quickly. There are barely two weeks left in October—which means NaNoWriMo is just around the corner! Is anyone else totally pumped and nervous at the same time? (P.S. Add me as a writing buddy if you’re officially participating!)
Whether you’re here to prep for November or you’re just in the midst of working on your latest W.I.P., I have compiled the most useful prewriting tools on the web just for you (yes, you!). These are all resources that have really helped me in my preparation for my latest creative adventure, so I know they’ll be perfect for you, as well!
Although we as artists may hate to admit it, all art (including storytelling) requires at least some structure. It’s as simple as the old, “you have to know the rules to break them,” theory. In the words of Jim Krueger, the former creative director for Marvel, “I don’t believe you can be creative without limitations”—there has to be a box if you want to think outside of it.
Story building is a real struggle for me. As a journalist, most of the stories I write are already made up for me—I just have to find the information. But when it comes to writing novels and other creative pieces, the tale has to come from within me, and, unfortunately, I haven’t been stretching my creative side lately as much as I probably should.
As I continue my NaNoWriMo prep (including working on my creativity), I’ve particularly enjoyed this exercise that a writing teacher of mine had us do in class, recently. If you want practice on creating stories, working quickly, and thinking ahead, this can be a really valuable exercise for you, as well!
Telling stories is one of the most important things we do in our lives. We tell stories to sell products and make money, we tell stories for entertainment, and we even tell stories to help us teach difficult concepts and express abstract thoughts. Even those of us who don’t choose to be writers have to be storytellers—but as artists who make stories our livelihoods, we ought to be the best at it.
From editorials with no paragraph breaks to sentences with no verbs, there are a lot of writing mistakes that an editor can fix.
We’ll do all we can to help your writing. We can add punctuation, chapter breaks, and helping verbs; we can fix your grammar and correct your spelling—but there’s one feature of writing that we editors can’t (and won’t) fix for you.
When I was introduced to this iOS application by a professor of mine, I was intrigued. I had never looked into any social media network that was so new, but despite any apprehension, I decided to just jump in with both feet and try it out.
Picture this: in a hammock, under the warm heat of the sun, with a cold drink, and a good book. Sounds amazing, right? But what to read?
There is nothing worse than reading a book or a screenplay that is obviously subpar. They seem like amateur mistakes, but even professional authors and playwrights are guilty of lethargy in their writing. Signs of a lazy author come through in narration, format, and theme, sometimes late in careers and sometimes from the start, but regardless, they are huge turn offs for readers and critics. Low ratings on my GoodReads are likely due to these pet peeves of mine that all writers – novice and established – should avoid at all costs: